
It is truly not often, at least it shouldn't be, that one can say a piece of art, entertainment, or media is "iconic" or "classic" or even "timeless." Those adjectives are reserved for the highest quality pieces when being descriptive, and there are only a handful of things to which we can utilize these words for. In music, one would consider Pink Floyd's "Dark Side of the Moon," Led Zeppelin's "IV," The Beatles' "Sgt. Pepper's Lonely Hearts Club Band," all the way through to Radiohead's "OK Computer" and "The Bends," Notorious B.I.G.'s "Ready to Die," Nas' "Illmatic," amongst others. In art, Andy Warhol's "Campbell's Soup" or "Marilyn Monroe" pieces, almost any of Picasso's cubism pieces, including "Guernica," Van Gogh's "Starry Night," even up to more modern artists like Jackson Pollack (paintings with no brush) and Damien Hirst. We can talk about the list for days without even grazing film, government and sports figures, but the fact remains that when someone mentions these artists' names EVERYONE knows at least one piece they've done, or their revolutionary method of doing so. Their works and inspiration are globally-recognized and unquestionably withstand the test of time.
In the last few years, probably since 2001-2003, my generation seems to have lacked an iconic piece of art because the industry has become watered-down by faux-artists looking for royalties off ringtones. The 'icons' today are only such because the media has put them on a pedestal for the wrong reasons: catchy lines, commercial success and physical attributes. I am proud to say we will be reviewing those albums which we consider 'classics,' based on their original definition provided by the likes of The Beatles, Elvis, etc. Coldplay's "Viva la Vida or Death and All His Friends" is that classic album.
Arguably the world's biggest band of the moment, Coldplay has constructed a truly timeless masterpiece in Viva la Vida, giving us a glimpse of what music used to be centered upon as well as the notion that true artists do, in fact, still exist. Stripping themselves of their old habits to experiment (ex. trying to play guitar progressions backwards, recording in multiple places including churches) and working with legendary producer Brian Eno, Coldplay puts forth their best effort, by far, yet. While commercially recognized through singles "Viva la Vida" and "Lost!" (also releasing a remix featuring Jay-Z), quality was clearly not sacrificed in the process. Sweeping violins, dark followed by inviting guitar riffs, and ecstatic piano-playing echo throughout the whole album, inviting listeners through a multitude of emotions and settings. What makes this a classic? Flawless production, almost orchestra-like quality, and songs for every situation one could imagine. Not to mention, whatever your flavor or preference of music, THERE IS AT LEAST ONE song on Viva la Vida which you will appreciate. Lyrically, Viva la Vida almost takes you around the world and, at least for certain, Europe, mentioning the sights and feel of London, Rome and Paris in multiple songs; angry and violet in some, yet warm and epic in others.
I'm normally not one to make bold predictions, but I can guarantee our readers that 10 years from now people will still be listening to Viva la Vida. Like a bottle of wine, this should be enjoyed in full, and may even appreciate to your ears over time. Here's our song-by-song rating:
Life In Technicolor - 5/5
Cemeteries of London - 5/5
Lost! - 5/5
42 - 4/5
Lovers In Japan/Reign of Love - 5/5
Yes - 3/5
Viva la Vida - 5/5
Violet Hill - 5/5
Strawberry Swing - 4/5
Death and All His Friends - 5/5
-Jake